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48 pages 1 hour read

Helen Fielding

Bridget Jones's Diary

Fiction | Novel | Adult | Published in 1996

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Chapters 8-10Chapter Summaries & Analyses

Chapter 8 Summary: “July: Huh”

Pam calls to invite Bridget and Daniel to a Tarts-and-Vicars themed party at Una and Geoffrey’s place. Daniel happily accepts the invitation on their behalf but then tells Bridget at the last minute that he won’t be able to attend because he has too much work to do. Bridget arrives at the party dressed in a skimpy bunny outfit and is horrified to realize that the other guests are dressed in regular attire. She learns that the costume theme was canceled at the last minute. Later, Mark tells Una that he does not like Daniel Cleaver, and Bridget is offended. She leaves the party and goes to Daniel’s flat. When he seems flustered and suggests that they meet at the pub, Bridget suspects that he has a woman in his flat and insists on coming in. The flat appears to be empty, but when she runs to the roof, she finds a beautiful, naked woman there. The woman says to Daniel, “I thought you said she was thin” (178).

Chapter 9 Summary: “August: Disintegration”

Bridget misses Daniel and feels desperately unhappy. Tom tapes a note to the telephone reminding her not to call Daniel, so she calls Pam instead. Her mother comforts her by reminding her that men are useless and self-centered.

Bridget now finds the atmosphere at work to be awkward. She actively avoids Daniel until he confronts her and asks her to have a drink with him. She agrees, and Daniel tells her that he is now engaged to Suki, the woman who was at his flat.

Jude tells Bridget about another self-help book titled Goddesses in Everywoman. Bridget is briefly cheered when she has a drunken night out with her friends, but she feels awful the next day. Meanwhile, Richard stands Jude up, failing to join her for their relationship counseling appointment. Jude has nothing to talk to the therapist about because she has no problems that are unrelated to Richard.

Bridget calls an ex-boyfriend named Peter and learns that he is engaged. Tom takes Bridget to a party at an art gallery, and she begins weeping in front of an exhibit as she reflects on her love life. A young man named Gav is impressed by her reaction, which he thinks is in response to the art exhibit.

Bridget goes for a job interview that her mother organized at a television station. She gets the job after she makes a sexual joke that amuses the boss, an older man called Richard. Later, Bridget goes with Perpetua to Edinburgh Fringe but does not see any shows.

When Bridget quits her job at the publishing house, Daniel is shocked and upset, but Perpetua advocates for Bridget by pointing out that her departure is Daniel’s fault.

Chapter 10 Summary: “September: Up the Fireman’s Pole”

Bridget starts her new job at the television station. She reflects that she has been thinking of Daniel slightly less than usual. Her mother calls to tell her about Mark’s admission to Una; apparently he believes that Bridget is bizarre.

At a work meeting, Bridget suggests an interview for a piece that Richard wants to develop about “dirty vicars. Her suggestion earns her nasty looks from her younger colleagues. Bridget is sent to Manchester to interview dole youths, but the segment is dropped at the last moment.

Bridget keeps being invited to dinner by the people she refers to as the “Smug Marrieds.” They try to set her up with “horrifying” single men, so she lies and claims to be dating a younger man. When she attends the next dinner party, she then brings Gav, whom she met at the art gallery. Gav asks Bridget to come to his flat. He cooks her dinner, but when they start kissing, he says, “Mmm. You’re all squashy” (218). Bridget leaves, feeling humiliated.

Bridget wants to reject the invitation to the wedding anniversary of two acquaintances, Malcolm and Elaine, as the event is taking place at Mark’s home, but her father asks her to go to provide him with moral support, so she reluctantly agrees.

At her new job, Bridget is humiliated when a miscommunication causes her to climb up a fire pole in a live segment instead of sliding down.

Chapters 8-10 Analysis

Daniel’s infidelity demonstrates the very worst forms of Sexist Attitudes in Contemporary Dating, and rather than condemning his misbehavior outright, Bridget misinterprets his disdain as confirmation that her own physical appearance is inadequate, and this catastrophic sense of insecurity is only worsened when she inevitably compares herself to the fashion-magazine-beauty of Suki, the woman with whom Daniel has cavalierly replaced her. Bridget’s envious description of Suki highlights her own low self-esteem, for she states, “There, spread out on a sunlounger, was a bronzed, long-limbed, blonde-haired stark-naked woman” (178). When Suki compounds Bridget’s horror and heartbreak by telling Daniel, “I thought you said she was thin” (178), this callous comment confirms Bridget’s suspicion that she has not secured a romantic partner because of her appearance, worsening her self-loathing. Bridget’s insecurities over her weight are further compounded when young, naïve Gav describes her as “squashy” in the midst of a romantic interlude. Thus, Bridget’s Desire for Self-Improvement clearly has a systemic origin, as she lives in a culture obsessed with valuing women based on their appearance.

In these chapters, Fielding critiques the women’s belief that their external problems have an internal source, and to this end, she continues to ridicule the omnipresent self-help industry, making it clear that although the women remain focused upon blaming themselves for their difficulties, the men they choose to date are the real source of their problems. In this light, Jude and Bridget’s ongoing interest in self-help books becomes an exercise in futility, for no amount of studying such titles as Goddesses in Everywoman will provide them with the peace and happiness they seek. Once again, Fielding uses pointed contrasts to illustrate that the men they are dating are actively sabotaging their efforts to achieve stability and calm, as when Richard fails to join Jude for their therapy appointment.

As the women rely upon The Importance of Friendship in Challenging Times and unburden themselves by spending time together, they find a paradoxical sense of bonding in their mutual worries and frustrations over their problematic love lives. In this way, Fielding advances the idea that the women in the novel are the victims of misogynistic cultural conditioning, which teaches them to fear being single above all else. Bridget is exposed to this conditioning constantly, both from her parents’ generation and from her contemporaries. For example, Una scolds Bridget publicly for not yet being married or having a child, exclaiming, “You career girls! Can’t put it off forever, you know: tick-tock-tick-tock” (172). Similarly, Rebecca tells Bridget that single women “do tend to get desperate as they get older” (194). From a myriad of angles, Bridget is bombarded with the misguided notion that single women are inherently valueless and unappealing. Faced with this judgmental social milieu, Bridget begins to feel “depressed” (224) and finds no respite from her growing sense of inadequacy.

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