39 pages • 1 hour read
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Wright tells the story from a limited third-person point of view. Third-person narration uses “he” and “she” pronouns, while third-person limited narration gives the reader complete access to the thoughts and feeling of just one character. In “Big, Black, Good Man,” the reader is confined to the mind of Olaf Jensen and is able to see, hear, and understand only what Olaf sees.
Wright’s choice to use this point of view means that the reader can readily believe that Jim is threatening Olaf in some way and prevents the reader from having any knowledge that counters Olaf’s over-the-top reactions to Jim’s actions. Like Olaf, the reader is forced to draw conclusions about Jim based on Jim’s actions and words.
Situational irony is an unexpected outcome that defies expectations based on previous events. The end of the story—Olaf receiving a generous gift rather than being murdered by Jim—is an example of situational irony. The irony in this situation emerges from the limited third-person narration, which causes the reader to be able to read events only from Olaf's perspective until the end.
Olaf interprets Jim's every gesture in both his first and second encounter as threatening violence, so the reader, caught up in the ambiguity of these moments, is led to believe that Plus, gain access to 8,650+ more expert-written Study Guides. Including features:
By Richard Wright