44 pages 1 hour read

Between The Acts

Fiction | Novel | Adult | Published in 1941

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Symbols & Motifs

Pointz Hall

Pointz Hall is a symbol that represents the transitory period that England is in as modernization continues and World War II is about to begin. It is also a motif that supports The Inevitability of Change. Bart talks to Mrs. Haines about using the cesspool to bring indoor plumbing to the village, and Pointz Hall plays an important role in this as the pond some are thinking of using as a cesspool is near Pointz Hall. Pointz Hall as a symbol of change also appears in its changing catalog of books. While its library is still full of classic novels and plays, Isa notes that the bookshelves are being filled with an increasing number of “shilling shockers,” reflecting changing tastes in literature. Pointz Hall also supports the theme of The Inevitability of Change by showing the deterioration of Isa and Giles’s marriage.

The Snake and the Toad

The snake and the toad that Giles encounters on his way to the barn remind him of an inverted birth. They symbolize a nightmarish image of femaleness and femininity that disgusts and disturbs Giles, highlighting the theme of Gender Roles and Expectations. The narrator describes the scene: “The snake was unable to swallow; the toad was unable to die. A spasm made the ribs contract; blood oozed” (52). The sight reminds Giles of “birth the wrong way round—a monstrous inversion” (52). This connection to birth shows that Giles has negative internal perceptions of roles perceived as feminine by society and a disgust with transgressive femininity. This image disrupts his comfort in the masculine.

The connection Giles sees between the snake’s attempt to swallow the toad and childbirth causes him to react by crushing the snake and toad to death. Taking action and violently removing this nightmarish resemblance and mockery of childbirth allows Giles to feel strong and proactive after being unable to do much as an audience member in the pageant. The blood from the snake and toad stains his shoes, later showing the differences in the attitudes of the two women in Giles’s life. The blood makes Mrs. Manresa admire him more, while Isa sees him as pitiful, insecure, and immature. This will cause Giles to seek a connection with Mrs. Manresa and further damage Giles and Isa’s marriage.

The Mirrors

The mirrors that the actors hold up to the audience during the present-day scene of the pageant are a symbol of the inner self and the internal world within each person; they are also a motif supporting Introspection and Identity. The actors present the mirrors to the audience as the voice on the speaker encourages the audience to “calmly consider ourselves” (94). The voice on the speaker continues that people are essentially the same with the same darkness and the same goodness that they can better take control over if they look within themselves and see their true selves as they are, regardless of circumstances, clothing, or time. Most of the audience members cannot handle seeing themselves in the mirror, showing that most of them hold a deep shame and discomfort in their internal cores and do not want to look so deep into their own selves. The only audience member who embraces looking into the mirror is Mrs. Manresa, who uses the mirror to help her re-apply her makeup and adjust her hair. Her openness to looking in the mirror and playfully doing her makeup shows that she is perfectly accepting of herself and lacks any shame about who she is as a person. After the pageant, Mrs. Swithin and Isa think more about the mirrors and the reflection and understanding of human collectiveness. Though Mrs. Swithin’s curiosity gives way to a return to her daily routine, Isa’s introspection inspires her to confront her husband about their marital issues.

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