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Guirgis has been quoted as saying that “[a]ll my plays […] are meditations about trying to put away my childish things.” What do you think he means by the phrase “childish things”? In Between Riverside and Crazy, what “childish things” might he specifically be trying to put away, based on the biographical details mentioned in the Plot Overview?
Imagine yourself as the set designer for a production of Between Riverside and Crazy. Identify five architectural or decorative features of Pops’s apartment that you feel must be visible to the audience and explain your choices with evidence from the text.
Research the impact of rent-control in New York City. Apply your findings to your understanding of the play.
How does Guirgis characterize the police in this play? Does this characterization support or defy current stereotypes of the police? Support your analysis with evidence from the text.
Some critics call Guirgis a poet of realism. Do you agree or disagree with this evaluation of the playwright’s language?
Analyze the role of humor in the play by dissecting a particularly funny moment or line. In this moment, what is the purpose of humor, and how does it contribute to the characterization of the individuals involved?
Do you find Lulu to be a sympathetic character? Can she be understood as a strong female character, or does she display behaviors that support negative stereotypes of women? Support your response with evidence from the text.
The characters in Between Riverside and Crazy are complex and not entirely lovable. Choose the character you like the least, on a personal level, but find compelling despite his or her flaws, and write a character analysis of his or her motivations.
Guirgis has expressed familiarity with the experience of being an outsider in various situations in his life. How is this familiarity expressed in the play? Which characters consider themselves an outsider, and what impact does this experience have on their relationships with others?
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