39 pages • 1 hour read
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Liz Buxbaum is the 17-year-old protagonist of the novel. She has curly red hair and is idealistic. She has a strong sense of fashion influenced by her mother, who she describes as similar to Doris Day. Liz has developed her mother’s sensibility into her own vintage style which others tease her for. After losing her mother at a young age, she cherishes their short time together, which was typically spent watching and obsessing over romantic movies. She believes that by keeping these romantic values alive, she is keeping her mother close to her.
This is mainly why she denies her growing feeling for Wes. She believes Wes is not the kind of guy her mother would want her to fall in love with. Instead, Liz believes her mother would want her to be with someone like Michael. Liz also tries to keep the memory of her mother alive by keeping her stepmother, Helena, at a distance. Helena is beautiful, funny, and cool, and although Liz likes her, she initially finds it difficult to truly bond with Helena. She feels that she would be betraying her mother if she were to do traditional mother-daughter things with Helena, like shopping for prom dresses.
Liz also lies to her best friend Joss when Joss begs Liz to go dress shopping with her. Liz cannot imagine going through that rite of passage with Joss and Joss’s mother instead of with her own. As Liz prepares to leave Nebraska for UCLA in the fall, she fears that leaving her childhood home will be like leaving her mother behind.
As Liz’s feelings for Wes develop, she realizes that she cannot keep hiding behind an idealized version of her mother’s memory and a fantasy of “happily ever after.” She learns that Wes is kind, dependable, sweet, and more like the leading men her mother told her to go for. Even if Wes was in fact the “bad boy” her mother warned her about, Liz knows that her mother would want her to follow her heart like the heroines in their favorite romantic movies. Wes helps Liz accept that she cannot control her heart with romanticized logic.
Later, Liz accepts Helena in her life by agreeing to go dress shopping with her and Joss. Liz discovers that even though her mother cannot be there, she can still feel excited for prom and have fun trying on dresses like a typical high school senior. Liz also allows herself to feel less guilty about beginning her new college life; she realizes that leaving Nebraska will not erase her mother or their connection. Her mother is kept alive through memories and Liz’s newfound ability to move forward. Finally, Liz has the freedom to appreciate the past while not letting it stop her from looking toward her future. In this way, Liz both exemplifies and defies the role of traditional romance heroine.
Wesley Bennett is Liz’s 17-year-old next-door neighbor and eventual love interest. At first, she does not consider him a potential partner because he is nothing like the guy she has grown up thinking she should end up with. Wes is attractive, athletic, sarcastic, charming, and popular; Liz believes he fits the “bad boy” persona she wants to stay away from. He and Liz have been “enemies” since childhood, as Wes picked on Liz for her dorky behavior. Their rivalry has carried on into their young adulthood, fueled by their desire for the only available parking spot on their street, for which they constantly fight.
This parking spot sets off the novel’s major plot path: Liz agrees to relinquish the parking spot to Wes in exchange for his help getting her together with her dream guy, Michael. In the beginning, Wes encourages Liz to change her look by straightening her curly hair and wearing more trendy clothes because he believes this will make her more appealing to Michael. She resents him trying to change her, but later sees the fun in trying new things. Meanwhile, Wes reveals he has feelings for Liz just the way she is. In the end, he tells her that he likes when she is herself.
Wes proves to be honest and consistently supportive. He teases Liz but accepts her love of romance and even admits he likes some romantic comedy movies as well. His popularity at school is based on his friendly, charismatic personality and not for being the stereotype of the mean and shallow jock like Liz assumes at first. Indeed, she is surprised by his wit, conversation, and vulnerability. He tells her he is attracted to girls with substance who are more than a pretty face.
Although Wes sometimes seems frustrated that Liz is oblivious to his obvious affection, Wes sticks by her side through all her embarrassing mishaps while trying to woo Michael. He plays the role of matchmaker because he wants to give Liz what he believes she wants. As Liz’s feelings for Wes change, she realizes that appearances can be misleading. Wes embodies the problem with romanticizing rigid archetypes and stereotypes from fiction. Unlike these archetypes, real people are complex, multifaceted, and not always what you expect.
Michael Young is initially Liz’s “dream guy.” He is 17, tall and blond, charming, and attractive. Like Wes, Michael grew up with Liz, but he moved away right before her mother died. Liz has always had a crush on him and was devasted when he moved away. When he moves back to town, Liz is infatuated with him all over again and plans to make him fall in love with her despite the rumors that he has feelings for another girl.
In many ways, Liz is only in love with the idea of Michael as a romantic archetype—the handsome, reliable leading man her mother encouraged her to go for. Liz still sees him as a sweet little neighborhood boy. Her need to keep her mother alive pushes her to focus on pursuing a relationship with him. As Liz learns more about who Michael is, she realizes they are not truly compatible; he is actually in love with Laney, Liz’s rival.
Michael is kind and friendly, but Liz finds that she is more suited for Wes. The plot is further complicated when Michael asks Liz to prom after she has already fallen for Wes. In the end, Michael represents Liz’s fears about her mother and her future; when she chooses Wes over Michael, she finally relinquishes her fears.
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By Lynn Painter