46 pages 1 hour read

Benito Cereno

Fiction | Novella | Adult | Published in 1855

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Pages 91-122Chapter Summaries & Analyses

Pages 91-95 Summary

As Delano’s boat is pushing off the San Dominick, Captain Cereno unexpectedly jumps over the bulwarks, landing in the boat at Captain Delano’s feet and yelling incomprehensibly. Three sailors jump into the sea, swimming after their captain. Enraged, Delano seizes Cereno by the throat, declaring to his officer that “this plotting pirate means murder!” (91). In that moment, Babo also leaps into the boat, brandishing a dagger. Delano restrains him, but Babo reveals a second, concealed dagger and attempts to attack Cereno, whom Delano now recognizes as Babo’s true target.

Delano has now unraveled the mystery behind Cereno’s peculiar behavior and the enigmatic atmosphere of the entire ship. Looking up, he sees the Black passengers for what they really are. They are not, as he previously thought, exhibiting anger and lack of discipline due to poor leadership on the San Dominick; rather, they are engaged in a “ferocious piratical revolt” (93). Armed with hatchets and knives, they are now keeping the remaining white sailors from escaping.

Captain Delano orders his vessel to ready their guns. As the boat moves away from the San Dominick, the canvas falls away from the figurehead, unveiling a human skeleton above the inscription “follow your leader.” Cereno, covering his face, wails in anguish, revealing that the skeleton belongs to his friend, Alexandro Aranda. When the boat reaches the Bachelor’s Delight, Cereno refuses to move until Babo is restrained and out of his sight.

Pages 96-100 Summary

Delano’s boat is swiftly dispatched to rescue the three sailors in the water. Meanwhile, the guns are readied, but the San Dominick maneuvers out of range. Cereno reveals that a sailor disabled the San Dominick’s guns at the onset of the revolt. He asks Delano not to pursue the ship, as the rebels are likely to kill the remaining white sailors. Delano dismisses this warning, attributing Cereno’s caution to his crushed spirit, and decides to send boats to capture the San Dominick. He is boarding one himself when Cereno warns him that doing so means throwing away his life. The officers also advise against the captain’s involvement, and Delano ultimately heeds their counsel, opting to stay behind.

When Delano’s men approach the San Dominick and open fire, the rebels respond by cutting off a white sailor’s fingers and hurling hatchets at the boats. Delano’s men instruct the Spanish sailors to cut off the ship’s sails, facilitating the pursuit of the San Dominick. In the meantime, various people are killed, including Atufal. Without sails, the rebels cannot navigate the ship, and Delano’s men board the San Dominick , with one of them exclaiming “follow your leader!” (98). During hand-to-hand combat, many rebels are killed, and some of Delano’s men sustain injuries. The San Dominick is then brought back into the harbor.

The two ships sail together to Chile and then proceed to Lima, Peru: their final destination, where the incident will be investigated. Despite an initial improvement in Cereno’s health, a setback occurs upon reaching Lima. He is welcomed in a religious institution, where he will receive care. The narrator then reveals that the forthcoming extracts are translated from one of the official Spanish documents, shedding light on the preceding narrative and uncovering the true history of the San Dominick. The narrator writes that the document contains Cereno’s testimony, which was “held dubious for both learned and natural reasons” (100); because of his mental state, his words initially faced skepticism, but other sailors later confirmed them.

Pages 100-122 Summary

The official document is written by a notary of the Spanish monarch and declares that the criminal trial of the rebels on the San Dominick began on September 24, 1799. Cereno, the first witness, declares that on May 20, the ship left Chile bound to Callao, a coastal city in Peru, with various goods to trade, 160 enslaved people belonging to Alexandro Aranda, and 36 crew members. Cereno lists some of the Black passengers, including Babo, Atufal, and Francesco. The enslaved passengers slept on deck and were not kept in chains, as Aranda believed them to be docile.

On the seventh day after leaving port, the enslaved passengers suddenly revolted, led by Babo and Atufal. They killed many crew members with weapons, including handspikes and hatchets, or by throwing them overboard. Cereno asked Babo and Atufal to stop the violence and assured them that he would obey their orders. Babo asked Cereno to take the rebels back to Senegal. Cereno argued that the distance involved and the lack of provisions made this impossible, but Babo threatened to kill all the white sailors if Cereno did not grant their wish. They agreed to try to reach a coast to replenish their water supply, and they decided to go to the island of Santa Maria. Cereno hoped a passing vessel would save them. In the following days, the rebels killed Alexandro Aranda and hung his corpse in place of the ship’s former figurehead, a statue of Christopher Columbus. Showing the skeleton to Cereno, Babo asked him whether he thought it was a white person’s based on the whiteness of the bones and instructed him to “keep faith with the blacks from here to Senegal” (110), warning Cereno that he would otherwise “follow [his] leader” (107). He repeated the same speech to every remaining Spanish sailor and ordered the destruction of the boats in case the sailors tried to escape.

When the San Dominick approached Santa Maria and saw the Bachelor’s Delight, Babo ordered the skeleton on the bow be covered with canvas and gave Cereno and the others a story to tell, threatening to kill them if they gave anything away. He set six men on the deck to distribute hatchets if needed, pretended to keep Atufal in chains, and put four older Black men in charge of maintaining order. Throughout Captain Delano’s visit, Babo stayed by his side, playing the part of the faithful servant to observe Cereno. Some crew members tried to alert Captain Delano to what was happening but failed because of their fear and because of Delano’s naivete. The rebels struck one sailor on the head with a knife when he expressed hope Delano would save him, and another, who was killed, carried a jewel that he hoped to bring to a shrine in Peru as thanks for having survived. In his account, Cereno expresses his gratitude to Delano for his generosity. Cereno concludes by asserting that, at 29 years old, he is now mentally and physically broken and will retire to a monastery.

The narrator says that this deposition is “the key to fit into the lock of the complications that precede it” (118), shedding light on the mysteries at the heart of this narrative. The narrator then describes a conversation between Delano and Cereno during their trip to Lima. Cereno noted that Delano suspected Cereno and not Babo of being a murderer despite spending many hours with Cereno. Cereno concluded that this was the effect of machinations and deceptions. Delano told him to forget the past, but Cereno replied that only non-human things are capable of forgetting the past and that the shadow of the past loomed over him.

Months after the trial, Babo is put to death. His body is burned and his head fixed on a pole in a plaza for all the white passersby to see. His face is turned toward the church where Aranda’s bones rest and toward the monastery where Cereno, three months later, dies. The narrator ends by stating that Cereno did indeed follow his leader.

Pages 91-122 Analysis

The story reaches its climax as violence breaks out and the mystery that shrouded the events on the San Dominick is finally unraveled. However, Captain Delano is initially reluctant to grasp the gravity of the situation, true to his characteristic naivety; when Cereno jumps in his boat, he mistakes him for a pirate and seizes him by the throat. It’s only when Babo attacks Cereno that Delano comprehends the reality of the unfolding chaos—“a flash of revelation [sweeps], illuminating, in unanticipated clearness, his host’s whole mysterious demeanor, with every enigmatic event of the day, as well as the entire past voyage of the San Dominick” (93). In this moment of revelation, everything Delano witnessed aboard the San Dominick aligns into a coherent narrative. Captain Cereno’s peculiar behavior was a response to the constant threat posed by Babo, the captain’s frequent coughing spells a tactic to conceal his nervousness, and Babo’s persistent presence by Cereno’s a manifestation of his true authority and control over the situation. The moment when the cloth falls off the figurehead, exposing the skeleton of Alexandro Aranda, symbolically unveils the concealed truth of death and violence that was hiding in plain sight all along, underscoring the theme of The Unreliability of Appearances. The words “follow your leader,” chalked below the skeleton, take on a new and ominous meaning: They are a threat aimed at the Spanish sailors, warning them against disobedience and hinting that those who defy this command will follow in Aranda’s footsteps.

Yet even at this point, the extent to which Delano grasps the truth of the situation is unclear, in part because of the ambiguous treatment of race itself. The enslaved passengers, once praised by Delano for their obedience, are now unmasked as cruel and violent—at least in Delano’s telling. The grisly details of the uprising—e.g., the mutilation of the white sailor whose fingers the rebels cut off—plays into stereotypes of the “savagery” of African cultures. Likewise, Babo’s remark about the whiteness of Aranda’s skeleton could be construed as ascribing an implausible degree of ignorance to the character. On the other hand, that same remark could well be an ironic jab at the assumptions of racism itself (i.e., that skin color signifies more fundamental differences and disparities), while the brutality of the revolt could simply respond in kind to the brutality of slavery. The latter idea, at least, is something Delano does not reckon with, exemplifying the theme of Slavery and Racial Bias as Dehumanizing. Delano describes the revolt as piratical, overlooking the fact that slavery itself is a form of piracy, where individuals are dehumanized and commodified. That Delano fails to grasp this highlights his ongoing hypocrisy and contradictions.

With Benito Cereno’s deposition, the story undergoes a shift in tone. The poetic language is gone, giving way to apparently factual testimony. The deposition provides crucial details that shed light on the rest of the narrative. However, Cereno is also a potentially unreliable source of information, particularly as he doubles down on the depiction of Babo’s actions as brutal while overlooking the broader context of slavery’s inherent brutality and cruelty. Moreover, where the story represents Cereno’s perspective, Babo and the other enslaved passengers are simply condemned for their actions without an opportunity to present their side of the story. Babo’s silence after being captured symbolically represents this elision, which may be either the novella’s or merely the court’s.

Delano, in his naivety, emerges from the ordeal unscathed. By contrast, Cereno bears deep emotional wounds from his experience and cannot overcome the trauma, eventually succumbing to death. When Delano asks him “what has cast such a shadow upon [him]” (21), Cereno cryptically replies “the negro,” leaving the nature of his reference ambiguous; it could refer either to Babo specifically or to Black people as a whole. If the latter, it suggests that Cereno is burdened by the weight of understanding the profound implications of slavery. The concluding words of the story reintroduce the motif of leadership, leaving uncertainty about whether Cereno is following Aranda or Babo into death.

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