57 pages 1 hour read

Banyan Moon

Fiction | Novel | Adult | Published in 2023

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Chapters 9-16Chapter Summaries & Analyses

Chapter 9 Summary: “Minh”

Though Minh is dead, she still watches her daughter and granddaughter set up an altar dedicated to her. When Minh was alive, she had a similar one dedicated to her late husband, Xuân. Minh is touched that Ann and Hương would do this for her despite not really believing in ancestors or spirits. She watches them bicker and compromise over how to set up the altar and what to put on it. They light incense and bow before the altar. Minh blows them a kiss, which moves the smoke coming from the incense. Hương does not notice, but Ann does. Minh wonders if Ann will realize that she is “not as dead as [she] thought” (81). Minh sees a glimpse of what Ann will be like as a mother.

Chapter 10 Summary: “Ann”

Ann and Hương slowly sort through the Banyan House, putting things in garbage bags to be taken to the dump or donated. Noah continues to try to repair things with Ann, but she ignores his texts. Ann finds her old drawings from when she was younger and remembers Minh buying her art supplies and secretly leaving them on her bed. When she tried to thank Minh, she would pretend “she had no idea what [Ann] was talking about” (84). Ann wants to throw away her old drawings, but Hương insists on keeping them. 

Hương and Ann drop off some bags at a secondhand store. The owner of the store is Wes Asher, Ann’s high school friend and later boyfriend. The meeting between Wes and Ann is sweet, but a little awkward. Later, Noah calls and Ann decides to answer. He asks if Ann wants him to come to Florida; she refuses, hanging up after promising they can talk later. She goes downstairs, where Hương slices oranges to eat dipped in salt. This is what Hương craved when she was pregnant with Ann; Ann’s cravings have been similar.

Chapter 11 Summary: “Minh, 1965”

Minh reflects on her past. In the summer of 1965, she conceived Hương. She was 17 and living in Vietnam. The American War (the Vietnamese name for the Vietnam War) had been going on for 10 years, and Minh’s family lived in the south. One day, Minh ran into a boy called Bình. He flirted with her and persuaded her to go on a date with him. They met in secret all summer, and Bình gave Minh a photograph of himself. Bình convinced Minh to meet him at night and coerced her into having sex with him. Afterward, he told her he loved her. After a few more meetings at night, Bình started to ignore Minh when he saw her in public. Bình got engaged and then married to another girl, and Minh realized that she was pregnant.

Chapter 12 Summary: “Hương”

At Minh’s funeral, Hương regrets the lack of fanfare and wailing mourners. Phước is there with his wife, Diane, and their two adult daughters, Meg and Scarlet. Hương wonders why Ann is trying to hide her pregnancy from her. She pulls Ann aside and asks her about the baby. Ann says they can talk after the funeral. 

Phước’s presence grates on Hương and she is angry with him for not visiting Minh more than once when she was in the hospital. Diane tells Hương that she and Phước are interested in moving into the Banyan House, or perhaps renovating it and renting it out as a B&B. Hương coolly reminds Phước and Diane that they have their own house and that they never visited when Minh was alive. Hương finds Ann again and suggests that she set up a work studio in one of the Banyan House’s many rooms. Ann reminds her that she is only staying temporarily. They consider the secrets Minh kept from them and the secrets they keep from each other. Hương remembers putting art supplies on Ann’s bed when she was a child.

Chapter 13 Summary: “Ann”

Ann, Hương, Phước, and Diane are all in Minh’s lawyer’s office for the reading of her will. Ann feels contempt for Phước and reflects that Diane has converted him to Christianity. Phước and Diane receive Minh’s substantial savings, and their daughters receive her investments. Hương receives Minh’s car, the Oldsmobile, and Ann receives her jewelry. The Banyan House is split between Ann and Hương. Phước is deeply upset by this, as he wanted the house. He tells them that the issue is not over.

Ann and Hương drive to the beach and discuss their grief. Hương asks Ann about the baby, and Ann tells her about Noah’s infidelity and “his family’s crushing gaslighting” (119). Despite not knowing what her future will look like, Ann wants to keep the baby. She admits that she thinks about moving away somewhere and raising the baby by herself. Hương tells Ann that she will support her decision, whatever it is, but that for now, she wants to help Ann. Hương tells Ann that they should get the baby blessed at the temple.

Chapter 14 Summary: “Minh, 1965”

The narrative shifts back to 1965. Minh kept her pregnancy a secret. She started to notice one of her older brother’s friends, Xuân. Xuân was a sweet and gentle young man. Though he was not particularly handsome, Minh felt safe around him. They began to court each other and grew closer. Minh eventually told him that she was pregnant. Xuân responded by asking to marry her. They married quickly so that no one would find out that Minh got pregnant outside of marriage. Minh cared about Xuân and was grateful for his gentleness and devotion, but knew that she did not love him the way he loved her. Hương was born, and Xuân “never indicated that Hương was anything but his” (129). Eventually, Minh and Xuân became more intimate with one another and Minh became pregnant with Phước. After Phước was born, Minh vowed to herself that she would do everything in her power to take care of her family.

Chapter 15 Summary: “Ann”

In the present day, Ann finds some of Minh’s old photo albums. There is a rare photo of her grandfather, Xuân, and Hương tells Ann a little more about him: He was kind, and he supported Minh when she opened a small jewelry shop. 

Noah continues to call Ann. She has not told him about her pregnancy. She recalls meeting him when she was a junior in college; he was her TA. After college, Noah supported her as she began a career as a freelance illustrator. Hương called Ann’s career a “waste of an education” (136). Looking at the photo of her grandfather, Ann wonders what her grandparents’ relationship was really like.

Chapter 16 Summary: “Hương”

Hương begins her swimming lessons at the local Y. She does not like putting her head underwater, but she is “determined to prove [herself]” (138). A month has passed since Ann came to stay at the Banyan House, and neither of them has made any plans to leave. Hương takes Ann to a Buddhist temple to get the baby blessed. On the way, Ann asks why Hương never talks about Ann’s father. Privately, Hương thinks about her ex-husband, Vinh, whose name Ann does not know. Hương sees herself as “the reason [Ann] has no father” (141). She brushes off Ann’s question.

At the temple, Hương takes Ann to a statue of “Quan Âm, the goddess of mothers and children” (142). They pray to Quan Âm, though neither of them holds strong religious beliefs. Nevertheless, the gesture means a lot to Hương. Hương admits that she is thinking of staying at the Banyan House and selling her condo to pay for some renovations. She asks Ann to stay with her at the Banyan House if things do not work out between her and Noah. She feels like this is a second chance for them to have the relationship they did not have when Ann was young. Ann smiles, and Hương begins to hope.

Chapters 9-16 Analysis

These chapters emphasize the way in which secrets contribute to The Challenges of Mother-Daughter Relationships in the Tran family, forcing them to hold each other at a distance while also struggling to define themselves independently of one another. Minh has long kept secrets from her daughter and granddaughter, including the identity of Hương’s birth father. Without Minh, Hương tells Ann that she feels as though she is unraveling. Despite their differences, Minh was a point of stability and safety for Hương—just as the Banyan House was for Minh. Hương perpetuates the intergenerational cycle of secrets and silence by refusing to speak about Ann’s father. She has kept every detail from her daughter, including his real first name. Neither Minh nor Hương feels they can tell their daughters the truth about their most painful and vulnerable memories, believing that the mark of a good mother is to protect her child from pain. Hương is particularly adept at avoiding these conversations: She cuts off her mother’s confession before she died, and she refuses to answer Ann’s questions about the past. Through Hương’s inner thoughts Thai reveals that she was the one who gave Ann art supplies, though Ann thought it was Minh.

Ann’s pregnancy signals the arrival of a fourth Tran generation and helps disrupt the cyclical pattern of secrecy and distance, setting Hương and Ann on a course to heal their relationship. Hương can tell that her daughter is pregnant before Ann is ready to say anything. The pregnancy seems like the opportunity for a fresh start, and Hương wants to repair the damage between the two of them. She is particularly invested in building a future in the Banyan House, even considering sinking her savings into a renovation effort. Initially, Hương replicates the same patterns she found so frustrating in her own mother. She wants to be there for Ann and her child, even though she resented Minh and Ann’s close relationship, which made her feel left out.

The flashbacks to Minh’s adolescence provide insight into the challenges of Immigration and Cultural Alienation. She grew up in an extremely different environment from the Banyan House, where she spent her later years. On her first date with Bình in Vietnam, Minh ate ice cream for the first time in her life. She grew up with very few material possessions, in contrast to the hordes of stuff that she accumulated in the Banyan House by the time she died. Her funeral—a sedate affair, like many American funerals—also reflects the differences in tradition between her life in Vietnam and her life in America. Minh’s desire for a safe home for her family in the United States reflects her childhood growing up in South Vietnam during a brutal war, and provides context for her identification with and isolation within the Banyan House.

Minh’s connection to the Banyan House is reflected in Ann’s clear sense of Being Haunted by the Past within its walls. Each of Ann’s two brief encounters with Minh’s ghost—seeing a shadow in the corner and the incense smoke wavering when Minh blows them a kiss—provide a literal component to the novel’s theme of haunting consistent with tropes of Southern Gothic fiction. Ann had a closer relationship with Minh than Hương did, and she remains closer with her grandmother after her death—sensing her ghostly presence when Hương does not. Although Minh is dead, she remains haunted by her past. As she recounts her relationship with Bình and becoming pregnant with Hương, Minh’s narration makes it clear that she wanted to keep seeing Bình because she enjoyed feeling loved, even though she knew that she was going against her parents’ wishes and the social expectations of her community. The novel suggests that Minh’s inability to tell Hương the truth about Bình and Xuân before she died keeps her tethered to the house after her death. Only in helping Hương and Ann find the healing that she and Hương couldn’t will she be free to move on.

Ann’s character arc—catalyzed by her pregnancy—centers on the need to heal her relationship with her mother in order to clearly define the kind of parent she wants to be to her own child. Ann spends a lot of her time thinking not about the past but about the future, especially once she decides to become a mother. Noah’s betrayal makes it difficult to imagine a future with him. Reconnecting with Wes helps her to distance herself from the pain of Noah’s infidelity, but Ann struggles to determine how much help she wants or needs from others. Her relationships with the men in her life feel secondary to her need to reconcile with her mother and uncover the truth about her grandmother. Allowing Hương to care for her during her pregnancy and prepare for the baby’s arrival lessens the distance between them and lays the groundwork for healing—not only in her relationship with Hương but also in Hương’s relationship with Minh. 

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