45 pages 1 hour read

Aura

Fiction | Novella | Adult | Published in 1962

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Chapter 3

Chapter 3 Summary

Felipe starts reading the General’s papers. He learns that the deceased grew up on a hacienda in Oaxaca, went to France, returned with Maximilian I, and after the French army’s defeat, he was exiled to Paris in 1867.

The following morning Felipe is woken up by the sun at six. He notices that all his belongings are present and unpacked. While getting ready for the day, he hears cats yowling and, in an attempt to find out what is happening, he climbs up on the furniture and opens the skylight window. He takes a quick look and sees seven cats writhing in flames in a side garden.

Aura comes to announce breakfast. After eating, Felipe goes to see Consuelo. He asks her about the side garden, but the old woman denies any knowledge of it, insisting that the only open space is the converted patio.

Felipe works on the General’s papers all morning, rewriting some of the poorly phrased passages and editing others. The work is not too difficult, and he decides to take his time and prolong the assignment as much as possible. His goal is to save 12,000 pesos so he can spend an entire year working on his own research concerning the Spanish Golden Age and the colonization of South America.

At lunch, the old woman comes out of her room and joins Felipe and Aura at the table. She keeps talking while Aura remains silent. It seems as if the young woman is under Consuelo’s power and imitates the old woman’s behavior. After lunch, the two women retire to the widow’s bedroom. Felipe explores Aura’s room, but it is empty of decorations except for an enormous black Christ. Felipe decides that Aura needs to be rescued and that his passion for her makes him her savior.

That night Felipe has disturbing dreams of cadaverous hands. He is woken up by a soft body getting into his bed which he assumes is Aura. He makes love to her, and before she leaves at daybreak, she calls him her husband.

Felipe has a hard time waking up the following morning, as he feels drained. After breakfast, the old woman gives him the second part of her husband’s papers. He leaves the widow’s bedroom but goes back, intending to tell her that he wants to take Aura away. When he pushes the door slightly open, Felipe sees Consuelo hugging, biting, and kissing a military jacket. He leaves quietly and returns to his room.

In the second part of the papers, the General describes meeting and falling in love with his young wife, who was 16 at the time. She has beautiful green eyes and always dresses in green. One day, he sees her torturing a cat, but instead of being revolted, the General is aroused and makes passionate love to her because Consuelo says she is making a sacrifice to preserve their love.

Chapter 3 Analysis

This chapter introduces the fourth main character, the General. Though he is not physically present, his voice is made accessible through his journal entries, and his presence in the house is made tangible by the fourth place setting at the dinner table. He and Felipe share some similarities: They both lived in Paris and fell in love with much younger women. The major difference between them is their social status. The General is clearly from an affluent family, indicated by his family’s hacienda, while Felipe is an impoverished intellectual. A hacienda in Mexico was similar to a plantation, as only Spanish settlers could own land, and they also controlled the native people who lived on it. While Felipe lacks the General’s lineage, he seems obsessed with Spain’s colonization of South America, as indicated by his research project. He can be seen as the older man’s ideological heir ideologically, if not biological.

This chapter also adds a layer to Consuelo’s character. From the General’s papers, it becomes clear that she is obsessed with youth and beauty. The fact that she is an old, ugly woman at the beginning of the story raises the question of what happened to her desire to preserve her youth, which foreshadows the next part of the story.

The fact that Aura comes to Felipe of her own volition hints that she is a seductress and that her feelings for Felipe are serious, as she calls him “husband.” Her behavior indicates that Felipe’s belief in her reciprocated feelings is not misplaced while also reversing traditional gender roles. At night Aura becomes the active partner, even if she is completely passive during the day.

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