79 pages 2 hours read

Aristotle and Dante Dive into the Waters of the World

Fiction | Novel | YA | Published in 2021

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Symbols & Motifs

Cartography

Early in the novel, Ari establishes a fascination with cartography. During a heart-to-heart with his mother, Lilliana tells Ari that he and Dante “are going to map out a new world” (16). While Ari knows his mother only means to support him by encouraging his new romantic relationship with Dante, he cannot help but fear that he is “going to be a terrible cartographer” (16). For the rest of the novel, Ari makes constant reference to cartography, often doubting himself and his abilities to adequately map out his life and see his visions through. Despite its challenges, Ari acknowledges that “making a map of the new world” would be “something fantastically, amazingly beautiful” (62). On his own, Ari is filled with uncertainty—namely about his capabilities and about his future—but feels more confident about his “cartography” abilities with Dante by his side. The first time Ari and Dante have sex, Ari realizes that by choosing to be together, despite all the complications involved, “it seemed that we had actually become cartographers of a new world, had mapped out a country of our own, and it was ours and only ours” (82). With Dante, Ari feels safe, hopeful, and a sense of belonging.

Wanting to find an outlet for self-expression, Ari begins to keep a daily journal in which he writes about his innermost thoughts, feelings, and greater concerns. Coming-of-age at the height of the AIDS crisis, Ari often writes about the uneasiness he feels as a gay man, and what that might mean for his future. In one journal entry, he declares that “the world is not a safe place for us” (116). While he acknowledges the “cartographers” who came before him and “made a map of the world as they saw it,” he is also regretful of the fact that “they did not leave a place for us to write our names on that map” (116). With this precariousness about the future in mind, Ari begins to view his journal writing as a form of cartography, noting that expressing himself in writing “was a way of becoming a cartographer” because he “was mapping out [his] own journey” (140).

Later in the novel, when Ari and Dante are months into their romantic relationship and have only managed to be intimate with each other one time (despite their desire to have sex more often), Ari realizes that he cannot imagine a future for the two of them. In the midst of trying to maintain their relationship while also having to be relatively secretive about it for their own safety, Ari comes to understand that “the world we lived in censored our imaginations and limited what was possible” (192). Ari believes that to imagine a future for himself and Dante is to merely entertain fantasy, as “the world [he] wanted to live in didn’t exist” (192).

By the end of the novel, Ari is notably more hopeful about his future. Feeling grateful for the support system he has in his family and friends, Ari is determined to fulfill his new role as one of “the cartographers of the new America” (377). Unwilling to settle for what has already been laid out for him, Ari is intent on mapping out a more accessible and accepting world—“a new nation”—for “Sophocles and all the newly arrived citizens of the world” (377). By the end of the novel, Ari has realized his potential as cartographer, determined to create a better world for future generations.

Writing

Ari’s writing represents his coming-of-age journey. He keeps a daily journal in which he records his otherwise unspoken thoughts and feelings. Ari decides to address each entry to Dante to “make [him]self believe that [he’s] talking to someone who’s worth talking to” (48). He is sometimes at a loss for what to write and is comforted in knowing that no one else will be reading his journal entries. He simply wants to “write what [he’s] thinking and the things that matter to [him]” (48). Before writing his first entry, Ari remembers something his English teacher, Mr. Blocker, once told his students, which was that “we could find ourselves in our own writing” (49). Still unsure of himself at the beginning of his writing journey, Ari asserts he will likely “get lost a hundred times, a thousand times, before I find out who I am and where I’m going” (49).

As his journaling continues, Ari begins to regard writing as a useful tool, and, as Mr. Blocker suggested, a way to “figure things out for [him]self” (125). Ari is drawn in by writing as a form of expression and a means to express his fears, his dreams, and his true feelings about himself and those around him. Ari’s attraction to the cathartic nature of writing is so strong that he declares, “If I don’t say the things I need to say, it’s going to kill me” (125). Following a tense breakup with Dante, Ari immediately turns to his journal for solace. Unsure of how best to express the pain of Dante’s abandonment in his usual journaling format, Ari tries his hand at poetry, to “write something to let out the hurt” (360). Ari becomes so ensconced in his writing practice that, when asked by his English teacher what he wants to be when he grows up, Ari instinctively and impulsively offers that he would like to be a writer. Though he has never thought about it before, he tells his friends later, “I think maybe I feel something inside that tells me that I’m going to be a writer” (322), which points to the significant impact that his writing practice has had on him thus far.

Emma’s Painting

When Dante and Ari go on their long-anticipated camping trip—their first overnight trip alone as a couple—they meet a woman named Emma, who owns a small art gallery. Upon entering the gallery, Dante is struck by one painting in particular, which “was nothing but a wash of blue” with “one eye that was peering out with something that resembled tears falling from it” (91). Though Dante is immediately affected by the art, Ari admits in his narration that he “didn’t think the painting was incredible” but liked that “the artist was trying to say something” (91). When Emma reveals that the painting was done by her late son, Dante reads aloud the accompanying poem; in it, her son asserts, “I became an artist and a poet so I could paint and write the things that mattered—even if they only mattered to me” (94). Hearing her son’s words spoken aloud makes Emma emotional, which prompts Ari to realize that he has spent his life without “ever pay[ing] much attention to adults” (94). Emma’s reaction to her late son’s art forces Ari to realize that adults were complex and whole, not mere authority figures but people who “had lives like [he] had a life” (94).

When the boys return to Emma’s gallery after their camping trip, she gifts them her son’s painting, imploring them to “share it for [their] whole lives” (107). That Emma is willing to give away the artwork of her late son is indicative of the meaning that it carries, for all parties involved; for Emma, the artwork functions as a piece of her son’s heart and goodwill, one that she wants to honor by gifting the painting to Ari and Dante. For Ari and Dante, the work functions both as an emblem of Emma’s kindness and her recognition and support of them as a young gay couple. That Emma tells the boys to share the painting between themselves by passing it back and forth over the years suggests that she hopes it serves as more than a piece of art but as a reminder to “remember that you matter more to the universe than you will ever know” (107).

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