A working-class woman who strives to better her life, navigating new opportunities in the urban workforce and dealing with personal relationships.

Clyde's mother, a determined woman deeply influenced by her religious beliefs, who provides guidance and support to her son through faith-driven efforts.

Clyde's wealthy uncle who runs a successful business, symbolizing the intersection between familial duty and societal respectability.

The district attorney tasked with prosecuting Clyde, whose ambitions in the legal and political spheres drive his motivations.

Clyde's father, portrayed as lacking provision and work ethic, reinforcing themes of religious influence and personal responsibility.

Clyde's defense lawyers, who undertake his case with political motivations, shedding light on the intersection of justice and personal interests.

Clyde's sister, whose experiences serve as a precursor to Clyde and Roberta's storylines, underscoring themes of gender and class challenges.

A wealthy teenager who enters into a relationship with Clyde, representing the affluence and privileged detachment within the narrative’s social landscape.

Clyde's first romantic interest, a young woman who views beauty as currency and highlights themes of sexual and financial barter.

The doctor whom Roberta consults for an abortion, whose decisions reflect the interplay of gender, class, and morality of the era.

The son of Samuel Griffiths and Clyde's cousin, who contrasts with Clyde through his assured social position and familial wealth.

A pastor who attempts to guide Clyde spiritually, embodying the religious influences that permeate Clyde's journey.

Clyde's initial acquaintances in the workforce who introduce him to certain social norms and habits of the working-class life.

The coroner who investigates Roberta's death, contributing to the unfolding judicial proceedings.

A legal assistant to Orville Mason, whose actions point to the legal and ethical ambiguities present in the judicial system.