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69
Play • Fiction
1969
Adult
16-18 years
A Tempest by Aimé Césaire is a modern adaptation of Shakespeare's The Tempest that begins with a shipwreck and follows the interactions between the shipwreck survivors and the island's residents. Césaire's play confronts themes of racism, exploitation, and violence through the characters of Ariel and Caliban, who seek freedom from their white master, Prospero, highlighting various approaches to liberation and resistance.
Mysterious
Gritty
Challenging
Contemplative
Emotional
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Aimé Césaire's A Tempest receives praise for its powerful adaptation of Shakespeare's play, injecting anti-colonial themes and African-Caribbean culture. Critics appreciate its poignant commentary on race and power, yet some argue the overt political tone detracts from character depth. A valuable read for those interested in postcolonial literature.
A reader who would enjoy Aimé Césaire's A Tempest is likely passionate about postcolonial literature and social justice themes. They might also appreciate reinterpretations of classic works, much like readers of Jean Rhys's Wide Sargasso Sea or Chinua Achebe's Things Fall Apart. Perfect for those interested in cultural critiques and African diasporic perspectives.
3,060 ratings
Loved it
Mixed feelings
Not a fan
MIRANDA
Prospero’s daughter, who left Milan with him when she was very young, and becomes engaged to Ferdinand, a fellow shipwreck survivor.
ARIEL
A mulatto slave of Prospero with magical powers, known for his peaceful approach to conflict.
CALIBAN
A black slave on the island, originally ruled by his late mother Sycorax, and resentful of Prospero's control.
ALONSO
The king of Naples, who was involved in the usurpation of Prospero’s dukedom.
FERDINAND
Alonso's son, who falls in love with Miranda upon meeting her.
GONZALO
The counselor to Alonso, who admires the island's natural beauty and believes in respecting its resources and residents.
ANTONIO
Prospero’s treacherous brother, who conspired to overthrow him and is contemptuous of the island's wildness.
SEBASTIAN
Brother to Alonso, he is suggestible and easily influenced toward treacherous acts.
STEPHANO
Alonso’s butler, a heavy drinker who dreams of taking control of the island.
TRINCULO
Alonso’s jester, offers comic relief with his drunken antics, often in partnership with Stephano.
ESHU
A trickster god from Yoruban mythology, who disrupts the engagement celebration with crude songs.
69
Play • Fiction
1969
Adult
16-18 years
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