59 pages 1 hour read

A Rule Against Murder

Fiction | Novel | Adult | Published in 2008

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 14-19Chapter Summaries & Analyses

Chapter 14 Summary

The Gamaches have decided that Reine-Marie will go to Three Pines during the investigation rather than returning to their home in Montreal. After she says goodbye to everyone, she returns to Gamache, who is on the phone with Daniel. Gamache is explaining to Daniel that he doesn’t think it is a good idea to burden their child with the name Honoré; Daniel gets angry and hangs up, but Gamache tells himself that he did the right thing.

Before he and Reine-Marie can talk about it, however, Beauvoir arrives. When Beauvoir goes into the kitchen to ask Pierre about their electrical capacity, he meets Chef Veronique. He feels a familiarity and comfort that he cannot explain, but she doesn’t seem to reciprocate this feeling. He also finds Pierre in a confrontation with Elliot. He asks Elliot about Julia’s death, but the young man stomps away. Pierre reflects that he will have to fire Elliot after the investigation is over, and Beauvoir, viewing the scene, wonders if Pierre is controlled or weak. When Gamache and Beauvoir drive Reine-Marie to Three Pines, Beauvoir tells them about his reaction to Chef Veronique—every time he thinks of her, he feels calm, which he doesn’t understand.

Chapter 15 Summary

When they arrive in Three Pines, Gabri, the owner of the bed-and-breakfast, meets them at the door. He has packed a bag for Peter and Clara and asks Gamache to take it back to the lodge for them. On the way back to Manoir Bellechasse, Gamache and Beauvoir stop at the local Sûreté offices, where the statue is being stored as evidence. When Gamache touches the statue, which appears to be made of marble, he is surprised to find it warm. They conclude that it is not made of stone but cannot identify the material.

The statue’s expression once again strikes Gamache, reminding him of a Rodin statue that he admires called Les Bourgeois de Calais, or The Burghers of Calais. He tells Beauvoir the story behind it: The statue commemorates six prominent men of Calais who surrendered themselves to the English to save their city from siege. Rodin’s sculpture shows them as terrified, despairing, and resigned, and Gamache gets the same feeling from the statue of Charles Morrow. He begins to wonder what was behind the man’s expression.

When the crane operator mentions a small carving of a bird on the statue’s shoulder, Beauvoir climbs the ladder to see it. Gamache, who is terrified of heights, follows him reluctantly. When he sees the bird, he wonders why it has no feet and decides to ask the artist.

Chapter 16 Summary

Agent Isabelle Lacoste is in the lodge’s kitchen watching Chef Veronique and her staff prepare for the evening meal. She notices that everyone, including herself, is drawn to the chef and that there is an intimacy between Veronique and Pierre that she can’t explain. Madame Dubois tells Lacoste that they hire a new staff every year—it gives the young people the opportunity to learn French as well as a trade. Her husband did the same in his youth, and it was always his dream to open an auberge. Lacoste realizes that this sense of welcome is what makes the Manoir special. She also recognizes that Pierre has the same quiet, confident leadership style as Gamache.

In their room, Clara asks Peter what Julia meant about their father’s secret. He brushes the question aside impatiently. When she brings up Gamache, he is ambivalent, and she realizes that Gamache, when he finds the killer, will destroy Peter’s family.

The members of the Morrow-Finney family prepare for dinner. Marianna wraps a scarf around her neck, still angry with Julia. Thomas puts on his shirt with the frayed cuffs and the cufflinks that his father gave him. Sandra smiles to herself, thinking of Bean sticking marshmallow cookies to the ceiling. Irene is dressing for dinner as well, thinking that she owes it to Julia. She imagines that Julia had loved her and that they would’ve been friends. Bean, alone in the dining room, escapes into their myth book, imagining riding Pegasus.

Chapter 17 Summary

Gamache, Beauvoir, and Lacoste go over the timeline for the night of Julia’s death, including everyone’s movements and when they went to bed. Gamache tells Beauvoir and Lacoste about Julia Martin’s husband, David, the famous financier who is now in prison. He shares Thomas’s comment about toilets to Julia and her subsequent outburst, but they don’t understand the significance.

Lacoste shows them a pack of letters that she found in Julia’s room, along with two crumpled notes that she found in the fireplace. They finish their fantastic meal, which leads them to talk about Chef Veronique. Lacoste admits that she, too, had gotten a strange feeling from Veronique that she can’t identify. She also mentions that she thinks Veronique is in love with Pierre.

Clara, at dinner with the family, cannot believe how cold and civilized everyone is. No one has brought up Julia. Clara asks Irene how she is doing, and Irene uses the opportunity to reprimand her children for not asking. She says that Julia was the most loving of all of them. She then tells Peter what Sandra had overheard. Peter denies it, but Irene finally collapses and begins to cry. Just then, marshmallow cookies begin falling from the ceiling.

Lacoste takes Beauvoir and Gamache to Bean’s room, where they see the numerous alarm clocks. Gamache wonders why they are all set for seven o’clock in the morning. Beauvoir tells them what Marianna had said about how she kept Bean’s sex a secret, even from her family.

Chapter 18 Summary

Peter is at the crime scene, thinking that Julia is destroying the family now, as she had before, and is resentful that Irene is idealizing her. Gamache has come out to the garden to get some air and to look again at the marble cube. He is still bothered by the fact that it is unmarked by the falling statue. He sees Peter, and they talk about mythology and a book that Irene read to them when they were young. Peter begins to grieve for Julia and for the fact that now, in death, Irene considers her perfect, and Peter has been reimagined as a terrible son.

When Gamache asks Peter what is bothering him, Peter tells him about their conversation being revealed. He yells at Gamache, who takes it, unresisting. When Peter calms down, Gamache asks who he believes killed Julia. Peter suspects Bert, as Irene will most likely get Julia’s life insurance, and Bert married her for money. They then walk out onto the dock and see Bert in one of the chairs. He tells Gamache that he knew Gamache’s father, Honoré.

Chapter 19 Summary

Bert leaves the dock abruptly after his statement. When Peter asks what he meant, Gamache tells him that his father, Honoré, had died when he was a child. Peter assumes it was murder, but Gamache says no. He and Peter stay on the dock until night falls and return to the lodge without speaking.

The next morning, Gamache is awake early and goes to the kitchen to ask for coffee. Elliot gives him a coffee tray and appears to have regained his calmness, although Gamache wonders if it is an act. He asks what Elliot thought of Julia and, though Gamache senses anger, Elliot is polite and superficial in his reply. He says only that she took time to talk to the staff, which few people do. Gamache remembers, from the employment records, that Elliot is from British Columbia, like Julia. Elliot leaves, and Gamache enjoys his coffee on the dock but is soon joined by Bert.

Bert explains that he had seen Honoré give speeches in Montreal and was sorry to hear about the car accident that killed him and Gamache’s mother. Gamache appreciates that Bert does not say the things that people usually say about his father. When Bert admits that he sits on the dock to watch birds, Gamache asks him about the significance of a bird without feet, but he doesn’t know.

When Gamache asks if Bert resents being on the outside of the Morrow family as Irene’s second husband, Bert replies that he wouldn’t want to be on the inside. He thinks that the Morrows have all developed ways of escape, protecting themselves from a lifetime of abuse. Just then, out of the corner of his eye, Gamache sees Bean galloping across the lawn. Bert explains that Charles Morrow had been his best friend. He had worked for Morrow’s company, as an accountant, from the beginning. Gamache asks why Morrow sold his company rather than leave it to his children, and Bert thinks it is because he knew that none of them were suited to it. He also tells Gamache that he was in love with Irene all his life.

Chapters 14-19 Analysis

In Chapter 14, as the investigation continues, Penny explores subplots that enrich the sense of mystery, and therefore the general unease, alongside the murder. The significance of Gamache’s father, Honoré, still is not revealed, but the fact that Gamache, who is generally open-minded, will not consider Daniel’s request is particularly jarring.

In Chapter 15, Penny finally reveals what is so unusual about the statue: that instead of a proud, confident businessman, Charles Morrow’s statue reveals that “the sum of his parts spoke of longing, of sadness, of resignation mixed with resolve” (144). In a sense, therefore, this is the narrative unveiling of the statue, much later than the diegetic unveiling, which gives the reader a sense of progression in the solving of these clusters of mysteries. This unusual portrayal was what had shocked everyone upon the statue’s reveal, and Gamache immediately connects it to Les Bourgeois de Calais, a Rodin statue. This statue becomes a motif in the novel and continues to support the idea that nothing is what it seems with the Morrow family.

In this chapter, Penny also reveals the footless bird for the first time, carved into the sculpture. This bird connects to the other mythological references in the novel. She also illustrates Gamache’s fear of heights, which foreshadows a significant plot point when he must go onto the roof later in the novel.

In Chapter 16, Penny again uses third-person omniscience to present the reader with a common activity: each member of the Morrow family preparing for dinner. The theme of Family Armor comes to the forefront here as they all take the time to prepare themselves for their coming interaction. She balances these personal scenes, which offer the reader insight, with the forward momentum of Gamache’s continuing investigation, yet ties them together with Lacoste’s discovery of Julia’s packet of letters—her own personal family armor. Penny also works a balancing act between extreme tension and light moments, as when, in Chapter 17, the family is engrossed in another terrible confrontation, only for Bean’s marshmallow cookies to begin falling from the ceiling. Again, the light relief of the cookies conceals within it another clue—that sugar is easily dissolvable—which further immerses the reader in the genre: An effective reader/detective must be alert to clues at all times.

With Bert’s revelation in Chapter 18—that he knew Gamache’s father, Honoré—Gamache’s personal storyline intersects with that of the Morrow family. The theme of Fathers and Sons is represented in both the Gamache and the Morrow stories, and in each storyline, those relationships are being slowly developed alongside the solving of the mystery. However, Penny delays revealing the whole story when Bert leaves the dock and Gamache evades Peter’s questions.

In Chapter 19, however, Bert appears again, and Penny reveals his crime-solving functions in the text. He is a reliable source of information—someone from whom Gamache can get a clear perspective on the Morrow family members, especially Charles. Bert reinforces Gamache’s sense of the Morrows developing family armor. It is because of this that they are so hard to read, which is frustrating for Gamache, who voices the same bewilderment for the reader. He depends on understanding the victim’s and suspects’ emotional lives in order to solve the mystery but cannot get under their surface to truly understand them. He will depend on characters like Bert, who are intimate with the Morrows but still outside of them, to help him solve the case.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 59 pages of this Study Guide

Plus, gain access to 8,800+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools